Sushma Joshi Kathmandu Post Kathmandu's annual theatre festival, started by Aarohan theatre, is awaited eagerly by theatre lovers. This year, I could only make it to one play out of seventeen. But I may have stumbled upon the one that was most different, unusual, and new to Nepal. The Circle Course, by Mira Kingsley, may have been the first time when Nepali audiences saw a female actor on stage who exhibited raw physical strength and jaw-dropping endurance along with feminine grace, emotions, and intelligence--all at the same time. A woman moves across the stage, carrying a man wrapped across her body. Muscles tensed, she carries him across the whole length of the floor, as the audience watches in pindrop silence. The unusual scene is quickly followed by a ripple of unease as the two actors--one male, one female--take off their shirts. The feeling of sexual inappropriateness quickly vanishes as the two bodies move in perfect co-ordination, one supporting, one holding the other one ...
The civil wars of the twenty-first century: Sushma Joshi's slightly twisted perspective of the universe.